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With a character this simplistic, his brutality is scarier because it seemingly has no logic to it. He's a force devoid of humanity and with unbelievable ability. Michael operates as a force of nature, and this makes him devastating because he faces human characters.
The reason Michael Myers is so scary is because he can tap into our fear of the unknown. There's a very uncanny valley quality about him. He's in the shape of a man, but we can tell that something is off about him.
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    Musical artist

    Lorne Balfe (born 23 February 1976) is a Scottish composer and record producer of film, television, and video game 🍐 scores. A veteran of Hans Zimmer's Remote Control Productions, Balfe's scoring credits include the films 13 Hours: The Secret Soldiers 🍐 of Benghazi, Terminator Genisys, and Mission: Impossible – Fallout, as well as the video games Assassin's Creed: Revelations, Assassin's Creed 🍐 III, Crysis 2, Skylanders, and the Call of Duty franchise. He has also scored the television series The Bible, Marcella, 🍐 The Crown, and Genius, the latter for which he earned a nomination for a Primetime Emmy Award for Outstanding Original 🍐 Main Title Theme Music.

    He even composed the new fanfare for Skydance Productions transcribed as There’s a World, There’s A Moon.

    Balfe 🍐 was born in Inverness, Scotland.[1] He went to Fettes College in Edinburgh, where he had a music scholarship.[2]

    Discography [ edit 🍐 ]

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